6 accepted papers
This paper presents the Deep learning-based Perceptual Audio Quality metric (DeePAQ) for evaluating general audio quality. Our approach leverages metric learning together with the music foundation model MERT, guided by surrogate labels, to construct an embedding space that captures distortion intens…
In the history of audio and acoustic signal processing, perceptual audio coding has certainly excelled as a bright success story by its ubiquitous deployment in virtually all digital media devices, such as computers, tablets, mobile phones, set-top-boxes, and digital radios. From a technology perspe…
Objective audio quality measurement systems often use perceptual models to predict the subjective quality scores of processed signals, as reported in listening tests. Most systems map different metrics of perceived degradation into a single quality score predicting subjective quality. This requires…
This work introduces a feature extracted from stereophonic/binaural audio signals aiming to represent a measure of perceived quality degradation in processed spatial auditory scenes. The feature extraction technique is based on a simplified stereo signal model considering auditory events positioned…
While the human hearing capability for horizontally localized sound sources is mostly based on binaural cues, the localization of elevation along the "cones of confusion" can only rely on spectral cues provided by the directionality of head related transfer functions (HRTF). This paper explores how…
High Resolution Envelope Processing (HREP) is a new tool for improved perceptual coding of audio signals that predominantly consist of many dense transient events, such as applause, rain drop sounds, etc. These signals have traditionally been very difficult to code for perceptual audio codecs, parti…