6 accepted papers
Conventional music structure analysis algorithms aim to divide a song into segments and to group them with abstract labels (e.g., ‘A’, ‘B’, and ‘C’). However, explicitly identifying the function of each segment (e.g., ‘verse’ or ‘chorus’) is rarely attempted, but has many applications. We introduce…
A music mashup combines audio elements from two or more songs to create a new work. To reduce the time and effort required to make them, researchers have developed algorithms that predict the compatibility of audio elements. Prior work has focused on mixing unaltered excerpts, but advances in source…
This paper presents a novel supervised approach to detecting the chorus segments in popular music. Traditional approaches to this task are mostly unsupervised, with pipelines designed to target some quality that is assumed to define "chorusness," which usually means seeking the loudest or most frequ…
We propose a music structure analysis method that converts a path-enhanced self-similarity matrix (SSM) into a block-enhanced SSM using non-negative matrix factor 2-D deconvolution (NMF2D). With a non-negative constraint, the deconvolution intuitively corresponds to the repeated stripes in the path-…
The prevalence of exact repetition in loop-based music makes it an opportune target for source separation. Nonnegative factorization approaches have been used to model the repetition of looped content, and kernel additive modeling has leveraged periodicity within a piece to separate looped backgroun…
Transcribing the singing voice into music notes is challenging due to pitch fluctuations such as portamenti and vibratos. This paper presents a probabilistic transcription method for monophonic sung melodies that explicitly accounts for these local pitch fluctuations. In the hierarchical Hidden Mark…