6 accepted papers
The perceived quality of a sound played in a closed room is often degraded by the added reverberation. In order to combat these effects, the methods of room impulse response equalization may be used. Typically, properties of the human auditory system, such as temporal masking, are used for a better…
For conventional sampling of sound-fields, the measurement in space by use of stationary microphones is impractical for high audio frequencies. Satisfying the Nyquist-Shannon sampling theorem requires a huge number of sampling points and entails other difficulties, such as the need for exact calibra…
We present in this work an approach for audio scene classification. Firstly, given the label set of the scenes, a label tree is automatically constructed where the labels are grouped into meta-classes. This category taxonomy is then used in the feature extraction step in which an audio scene instanc…
The sampling of sound fields involves the measurement of spatially dependent room impulse responses, where the Nyquist-Shannon sampling theorem applies in both the temporal and spatial domains. Therefore, sampling inside a volume of interest requires a huge number of sampling points in space, which…
We introduce a new learned descriptor for audio signals which is efficient for event representation. The entries of the descriptor are produced by evaluating a set of regressors on the input signal. The regressors are class-specific and trained using the random regression forests framework. Given an…
In listening room compensation, the aim is to compensate for the degradations that are rendered to an audio signal by transmission in a closed room. Due to multiple reflections of the soundwaves, the listener receives a superposition of delayed and attenuated versions of the source signal. A filter…