14 accepted papers
Query by Humming (QBH) is a practically meaningful task, while most existing methods struggle to scale to real-life applications due to the complex preprocessing for building the database and the limited search speed. In this paper, we propose the ByteHum system, a fast and efficient humming retriev…
Music tagging is a task to predict the tags of music recordings. However, previous music tagging research primarily focuses on close-set music tagging tasks which can not be generalized to new tags. In this work, we propose a zero-shot music tagging system modeled by a joint music and language atten…
Deep learning based methods have become a paradigm for cover song identification (CSI) in recent years, where the ByteCover systems have achieved state-of-the-art results on all the mainstream datasets of CSI. However, with the burgeon of short videos, many real-world applications require matching s…
Convolutional neural network (CNN)-based methods have dominated the recent research of cover song identification (CSI). A typical example is the ByteCover system we proposed, which has achieved state-of-the-art results on all the mainstream datasets of CSI. In this paper, we propose an up-graded ver…
Audio classification is an important task of mapping audio samples into their corresponding labels. Recently, the transformer model with self-attention mechanisms has been adopted in this field. However, existing audio transformers require large GPU memories and long training time, meanwhile relying…
In this paper, we propose S3T, a self-supervised pre-training method with Swin Transformer for music classification, aiming to learn meaningful music representations from massive easily accessible unlabeled music data. S3T introduces a momentum-based paradigm, MoCo, with Swin Transformer as its feat…
Deep learning techniques for separating audio into different sound sources face several challenges. Standard architectures require training separate models for different types of audio sources. Although some universal separators employ a single model to target multiple sources, they have difficulty…
Well-labeled datasets available for melody extraction are scarce, which limits the further advancement of deep learning based methods. To overcome this problem, we propose to use a pitch refinement method to refine the semitone-level pitch sequences decoded from massive melody MIDI files to generate…
We present in this paper ByteCover, which is a new feature learning method for cover song identification (CSI). Byte-Cover is built based on the classical ResNet model, and two major improvements are designed to further enhance the capability of the model for CSI. In the first improvement, we introd…
Detecting anchor’s voice in live musical streams is an important preprocessing step for music and speech signal processing. Existing approaches to voice activity detection (VAD) primarily rely on audio, however, audio-based VAD is difficult to effectively focus on the target voice in noisy environme…
Convolutional neural network (CNN) based methods have achieved state-of-the-art performance for singing melody extraction from polyphonic music. However, most of these methods focus on the learning of local features, while relationships among spectral components locating far apart are often neglecte…
Data-driven methods for melody extraction from polyphonic music generally require large amounts of labeled data for model training. However, musical data with annotations of melody fundamental frequency (F0) are rare and hard to obtain. To overcome this limitation, in this paper we propose to use me…
This paper presents a new system for singing melody transcription from polyphonic songs. Instead of operating solely on polyphonic audio of each song to be processed (as most existing systems do), our system takes as inputs additionally multiple monophonic recordings of people singing the song. To t…
Monaural singing voice separation has aroused considerable attention. Many pitch-based methods have been proposed to address this task, but generally have limited performance. The most crucial difficulties lie in the inaccurate judgment on voiced pitches and the failed recognition on unvoiced singin…