20 accepted papers
We introduce Mix2Morph, a text-to-audio diffusion model fine-tuned to perform sound morphing without a dedicated dataset of morphs. By finetuning on noisy surrogate mixes at higher diffusion timesteps, Mix2Morph yields stable, perceptually coherent morphs that convincingly integrate qualities of bot…
Neural codecs have demonstrated strong performance in high-fidelity compression of audio signals at low bitrates. The token-based representations produced by these codecs have proven particularly useful for generative modeling. While much research has focused on improvements in compression ratio and…
We present Sketch2Sound, a generative audio model capable of creating high-quality sounds from a set of interpretable time-varying control signals: loudness, brightness, and pitch, as well as text prompts. Sketch2Sound can synthesize arbitrary sounds from sonic imitations (i.e., a vocal imitation or…
This work introduces Text2FX, a method that leverages CLAP embeddings and differentiable digital signal processing to control audio effects, such as equalization and reverberation, using open-vocabulary natural language prompts (e.g., "make this sound in-your-face and bold"). Text2FX operates withou…
Sperm whales communicate in short sequences of clicks known as codas. We present WhAM (Whale Acoustics Model), the first transformer-based model capable of generating synthetic sperm whale codas from any audio prompt. WhAM is built by finetuning VampNet, a masked acoustic token model pretrained on m…
The prominence of a spoken word is the degree to which an average native listener perceives the word as salient or emphasized relative to its context. Speech prominence estimation is the process of assigning a numeric value to the prominence of each word in an utterance. These prominence labels are…
High-quality speech synthesis models may be used to spread misinformation or impersonate voices. Audio watermarking can combat misuse by embedding a traceable signature in generated audio. However, existing audio watermarks typically demonstrate robustness to only a small set of transformations of t…
While deep neural networks achieve state-of-the-art performance on many audio classification tasks, they are known to be vulnerable to adversarial examples - artificially-generated perturbations of natural instances that cause a network to make incorrect predictions. In this work we demonstrate a no…
We propose a new method for training a supervised source separation system that aims to learn the interdependent relationships between all combinations of sources in a mixture. Rather than independently estimating each source from a mix, we reframe the source separation problem as an Orderless Neura…
We showcase a method that repurposes deep models trained for music generation and music tagging for audio source separation, without any retraining. An audio generation model is conditioned on an input mixture, producing a latent encoding of the audio used to generate audio. This generated audio is…
As governments and corporations adopt deep learning systems to collect and analyze user-generated audio data, concerns about security and privacy naturally emerge in areas such as automatic speaker recognition. While audio adversarial examples offer one route to mislead or evade these invasive syste…
Text-based speech editors expedite the process of editing speech recordings by permitting editing via intuitive cut, copy, and paste operations on a speech transcript. A major drawback of current systems, however, is that edited recordings often sound unnatural because of prosody mismatches around e…
We present a single deep learning architecture that can both separate an audio recording of a musical mixture into constituent single-instrument recordings and transcribe these instruments into a human-readable format at the same time, learning a shared musical representation for both tasks. This no…
Separating an audio scene into isolated sources is a fundamental problem in computer audition, analogous to image segmentation in visual scene analysis. Source separation systems based on deep learning are currently the most successful approaches for solving the underdetermined separation problem, w…
Content-based audio retrieval including query-by-example (QBE) and query-by-vocal imitation (QBV) is useful when search-relevant text labels for the audio are unavailable, or text labels do not sufficiently narrow the search. However, a single query example may not provide sufficient information to…
The speech transmission index (STI) of a listening position within a given room indicates the quality and intelligibility of speech uttered in that room. The measure is very reliable for predicting speech intelligibility in many room conditions but requires an STI measurement of the impulse response…
Automated objective methods of audio source separation evaluation are fast, cheap, and require little effort by the investigator. However, their output often correlates poorly with human quality assessments and typically require ground-truth (perfectly separated) signals to evaluate algorithm perfor…
We propose the Multi-resolution Common Fate Transform (MCFT), a signal representation that increases the separability of audio sources with significant energy overlap in the time-frequency domain. The MCFT combines the desirable features of two existing representations: the invertibility of the rece…
Automated objective methods of audio evaluation are fast, cheap, and require little effort by the investigator. However, objective evaluation methods do not exist for the output of all audio processing algorithms, often have output that correlates poorly with human quality assessments, and require g…
Repetition is a fundamental element in generating and perceiving structure in audio. Especially in music, structures tend to be composed of patterns that repeat through time (e.g., rhythmic elements in a musical accompaniment), and also frequency (e.g., different notes of the same instrument). The a…