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Luca Morreale

7 accepted papers

2026

NanoFLUX: Distillation-Driven Compression of Large Text-to-Image Generation Models for Mobile Devices

ICML 2026poster

While large-scale text-to-image diffusion models continue to improve in visual quality, their increasing scale has widened the gap between state-of-the-art models and on-device solutions. To address this gap, we introduce NanoFLUX, a **2.4B** text-to-image flow-matching model distilled from **17B** …

Cited by 0SourceScholar
2026

RFDM: Residual Flow Diffusion Models for Video Editing

CVPR 2026

Instructional video editing applies edits to an input video using only text prompts, enabling intuitive natural-language control. Despite the rapid progress, most methods still require fixed-length inputs and substantial compute. Meanwhile, autoregressive video generation enables efficient variable-

Cited by 0SourcecodeScholar
2025

EDiT: Efficient Diffusion Transformers with Linear Compressed Attention

ICCV 2025poster

Diffusion Transformers (DiTs) have emerged as a leading architecture for text-to-image synthesis, producing high-quality and photorealistic images. However, the quadratic scaling properties of the attention in DiTs hinder image generation with higher resolution or devices with limited resources. Thi…

Cited by 0SourcePDFScholar
2025

Upcycling Text-to-Image Diffusion Models for Multi-Task Capabilities

ICML 2025poster

Text-to-image synthesis has witnessed remarkable advancements in recent years. Many attempts have been made to adopt text-to-image models to support multiple tasks. However, existing approaches typically require resource-intensive re-training or additional parameters to accommodate for the new tasks…

Cited by 0SourcePDFScholar
2019

Dense 3D Visual Mapping via Semantic Simplification

ICRA 2019poster

Dense 3D visual mapping estimates as many as possible pixel depths, for each image. This results in very dense point clouds that often contain redundant and noisy information, especially for surfaces that are roughly planar, for instance, the ground or the walls in the scene. In this paper we levera…

Cited by 8SourceScholar