10 accepted papers
Music mixing involves combining individual tracks into a cohesive mixture, a task characterized by subjectivity where multiple valid solutions exist for the same input. Existing automatic mixing systems treat this task as a deterministic regression problem, thus ignoring this multiplicity of solutio…
Music timbre transfer is a challenging task that involves modifying the timbral characteristics of an audio signal while preserving its melodic structure. In this paper, we propose a novel method based on dual diffusion bridges, trained using the CocoChorales Dataset, which consists of unpaired mono…
Recent state-of-the-art neural audio compression models have progressively adopted residual vector quantization (RVQ). Despite this success, these models employ a fixed number of codebooks per frame, which can be suboptimal in terms of rate-distortion tradeoff, particularly in scenarios with simple…
In recent years, research on music transcription has focused mainly on architecture design and instrument-specific data acquisition. With the lack of availability of diverse datasets, progress is often limited to solo-instrument tasks such as piano transcription. Several works have explored multi-in…
Restoring degraded music signals is essential to enhance audio quality for downstream music manipulation. Recent diffusion-based music restoration methods have demonstrated impressive performance, and among them, diffusion posterior sampling (DPS) stands out given its intrinsic properties, making it…
We propose an end-to-end music mixing style transfer system that converts the mixing style of an input multitrack to that of a reference song. This is achieved with an encoder pre-trained with a contrastive objective to extract only audio effects related information from a reference music recording.…
A central task of a Disc Jockey (DJ) is to create a mixset of music with seamless transitions between adjacent tracks. In this paper, we explore a data-driven approach that uses a generative adversarial network to create the song transition by learning from real-world DJ mixes. The generator uses tw…
We present a data-driven approach to automate audio signal processing by incorporating stateful third-party, audio effects as layers within a deep neural network. We then train a deep encoder to analyze input audio and control effect parameters to perform the desired signal manipulation, requiring o…
Plate and spring reverberators are electromechanical systems first used and researched as means to substitute real room reverberation. Currently, they are often used in music production for aesthetic reasons due to their particular sonic characteristics. The modeling of these audio processors and th…
In the context of music production, distortion effects are mainly used for aesthetic reasons and are usually applied to electric musical instruments. Most existing methods for nonlinear modeling are often either simplified or optimized to a very specific circuit. In this work, we investigate deep le…