4 accepted papers
Recent state-of-the-art neural audio compression models have progressively adopted residual vector quantization (RVQ). Despite this success, these models employ a fixed number of codebooks per frame, which can be suboptimal in terms of rate-distortion tradeoff, particularly in scenarios with simple…
Recent advances in text-to-music generation models have opened new avenues in musical creativity. However, the task of editing these generated music remains a significant challenge. This paper introduces a novel approach to edit music generated by such models, enabling the modification of specific a…
This paper presents an audio-visual beat-tracking method for an entertainment robot that can dance in synchronization with music and human dancers. Conventional music robots have focused on either music audio signals or dancing movements of humans for detecting and predicting beat times in real time…
This paper presents a novel framework that improves both vocal fundamental frequency (F0) estimation and singing voice separation by making effective use of the mutual dependency of those two tasks. A typical approach to singing voice separation is to estimate the vocal F0 contour from a target musi…