24 accepted papers
As the demand for emotional intelligence in large language models (LLMs) grows, a key challenge lies in understanding the internal mechanisms that give rise to emotional expression and in controlling emotions in generated text. This study addresses three core questions: (1) Do LLMs contain context-a…
In automatic music generation, a central challenge is to design controls that enable meaningful human-machine interaction. Existing systems often rely on extrinsic inputs such as text prompts or metadata, which do not allow humans to directly shape the composition. While prior work has explored intr…
We tackle the task of long-form music generation, particularly the challenging \textbf{lyrics-to-song} problem, by introducing \textbf{YuE (乐)}, a family of open-source music generation foundation models. Specifically, YuE scales to trillions of tokens and generates up to five minutes of music while…
CLaMP 3 is a unified framework developed to address challenges of cross-modal and cross-lingual generalization in music information retrieval. Using contrastive learning, it aligns all major music modalities–including sheet music, performance signals, and audio recordings–with multilingual text in a…
Real-time performance tracking is the core component of automatic accompaniment systems. Previous methods typically require full information on the performance score (the human part) and also assume very limited improvisations off the score, otherwise, the tracker will get lost. In this paper, we ai…
In this paper, we explore the application of Large Language Models (LLMs) to the pre-training of music. While the prevalent use of MIDI in music modeling is well-established, our findings suggest that LLMs are inherently more compatible with ABC Notation, which aligns more closely with their design…
The advent of Music-Language Models has greatly enhanced the automatic music generation capability of AI systems, but they are also limited in their coverage of the musical genres and cultures of the world. We present a study of the datasets and research papers for music generation and quantify the…
We present a unified framework for automatic multitrack music arrangement that enables a single pre-trained symbolic music model to handle diverse arrangement scenarios, including reinterpretation, simplification, and additive generation. At its core is a segment-level reconstruction objective opera…
We contribute an unsupervised method that effectively learns disentangled content and style representations from sequences of observations. Unlike most disentanglement algorithms that rely on domain-specific labels or knowledge, our method is based on the insight of domain-general statistical differ…
Controllable music generation plays a vital role in human-AI music co-creation. While Large Language Models (LLMs) have shown promise in generating high-quality music, their focus on autoregressive generation limits their utility in music editing tasks. To bridge this gap, To address this gap, we pr…
While LLMs demonstrate impressive capabilities in musical knowledge, we find that music reasoning is still an unsolved task.We introduce ChatMusician, an open-source large language model (LLM) that integrates intrinsic musical abilities. It is based on continual pre-training and finetuning LLaMA2 on…
This paper presents Herrmann-1 <sup xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">1</sup> , a multimodal framework to generate background music tailored to movie scenes, by integrating state-of-the-art vision, language, music, and speech processing models.…
Self-supervised learning (SSL) has recently emerged as a promising paradigm for training generalisable models on large-scale data in the fields of vision, text, and speech. Although SSL has been proven effective in speech and audio, its application to music audio has yet to be thoroughly explored.…
Recent advances in text-to-music generation models have opened new avenues in musical creativity. However, the task of editing these generated music remains a significant challenge. This paper introduces a novel approach to edit music generated by such models, enabling the modification of specific a…
In the realm of music AI, arranging rich and structured multi-track accompaniments from a simple lead sheet presents significant challenges. Such challenges include maintaining track cohesion, ensuring long-term coherence, and optimizing computational efficiency. In this paper, we introduce a novel…
Recent deep music generation studies have put much emphasis on long-term generation with structures. However, we are yet to see high-quality, well-structured **whole-song** generation. In this paper, we make the first attempt to model a full music piece under the realization of *compositional hierar…
Music inpainting, which is to complete the missing part of a piece given some context, is an important task of automated music generation. In this study, we contribute a controllable inpainting model by combining the high expressivity of mixed-level, disentangled music representations and the strong…
We have recently seen great progress in learning interpretable music representations, ranging from basic factors, such as pitch and timbre, to high-level concepts, such as chord and texture. However, most methods rely heavily on music domain knowledge. It remains an open question what general comput…
Music rearrangement is a common music practice of reconstructing and reconceptualizing a piece using new composition or instrumentation styles, which is also an important task of automatic music generation. Existing studies typically model the mapping from a source piece to a target piece via superv…
We propose a novel method to model hierarchical metrical structures for both symbolic music and audio signals in a self-supervised manner with minimal domain knowledge. The model trains and inferences on beat-aligned music signals and predicts an 8-layer hierarchical metrical tree from beat, measure…
Could we automatically derive the score of a piano accompaniment based on the audio of a pop song? This is the audio-to-symbolic arrangement problem we tackle in this paper. A good arrangement model should not only consider the audio content but also have prior knowledge of piano composition (so tha…
Deep generative modeling has already become the leading technique for music automation. However, long-term generation remains a challenging task as most methods fall short in preserving a natural structure and the overall musicality when the generation scope exceeds several beats. In this study, we…
Structure awareness and interpretability are two of the most desired properties of music generation algorithms. Structure-aware models generate more natural and coherent music with long-term dependencies, while interpretable models are more friendly for human-computer interaction and co-creation. To…
Player pianos driven by computers are able to record and reproduce various performance control parameters, including pitch, timing, velocity and pedaling. However, the resulting sound of performance is not 100% reproducible in a new environment due to the difference in room acoustics and physical pr…